Storm Damage

$19.95

by Melissa Hotchkiss

Here is poetry at once intense and resolute from a poet who captures the language of speech and gives it back to us matter-of-fact dressed in cruelty and kindness. In these poems, nothing is what it seems. Rather, things are what they are, beneath the camouflage. Here are poems about shared memories, common experiences and everyday conflicts, presented with startling clarity. Nobody has made our language speak in quite this way before not with this keen a sense of attention and always with that rare power to upend the way we experience even the most recognizable emotions, which is a way of talking about discovery. Her vision reminds us who we are with each new gasp of recognition. If the poems of Melissa Hotchkiss were clothes, they would try you on for size and later, without quite knowing how it happened, you would find yourself wearing them: spare, subtly woven, delicate, thoroughly sophisticated. It seems more than hours and hours the tide takes to go completely away far as the moon allows some things turn kinder as they leave.

by Melissa Hotchkiss

Here is poetry at once intense and resolute from a poet who captures the language of speech and gives it back to us matter-of-fact dressed in cruelty and kindness. In these poems, nothing is what it seems. Rather, things are what they are, beneath the camouflage. Here are poems about shared memories, common experiences and everyday conflicts, presented with startling clarity. Nobody has made our language speak in quite this way before not with this keen a sense of attention and always with that rare power to upend the way we experience even the most recognizable emotions, which is a way of talking about discovery. Her vision reminds us who we are with each new gasp of recognition. If the poems of Melissa Hotchkiss were clothes, they would try you on for size and later, without quite knowing how it happened, you would find yourself wearing them: spare, subtly woven, delicate, thoroughly sophisticated. It seems more than hours and hours the tide takes to go completely away far as the moon allows some things turn kinder as they leave.

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About the Author

Melissa Hotchkiss is a founding editor of Barrow Street and also ran the Barrow Street Reading Series in the West Village for 8 years. Over the years, Barrow Street has showcased over 300 poets and fiction writers at the reading series and published over 200 established and emerging poets in the poetry journal. Six poems in the last four years have appeared in Best American Poetry. Barrow Street, Inc., is a non-profit organization based in New York City.

Melissa’s poetry has appeared in Marlboro Review, LIT, Upstairs at Duroc, The Lyric Review, 3rd Bed, and other magazines. Her prose has appeared in the New Virginia Review and The New York Times. Melissa was interviewed, along with two other NY writers in Time Out NY, in May 2000. Reviews of Storm Damage have appeared or are forthcoming in Time Out NY and The Journal. Melissa has read at over 40 venues in Maine, Vermont, Utah, Virginia, and New York City. She has also tried her hand at stand-up comedy, performing at the NY Comedy Club and Stand-Up New York. She has lived in the East Village since 1990.

Advanced Praise

“This is a startling book spoken by a voice at once spare, cold, vulnerable, desperate, syntactically peculiar, elegant, disturbing, sexy, and even funny. Hotchkiss writes multi-dimensional, often heartbreaking, and always urgent poems.” —Martha Rhodes

“In this first book, Melissa Hotchkiss has already found her métier. She does remarkable things with brevity and foreshortening, and rarely the same thing twice.” —Michael Ryan

“Storm Damage views an ordinary world in a quiet, extraordinary way. The world is painted with words yet concretely defined at times by what is ‘not.’ The poems make an arc of language and reflection, while remaining offbeat and disarming. They contain wonderful angles and new slants to ‘see by.’”—Michael Burkard

“Melissa Hotchkiss’s poems have the powerful defamiliarizing quality of certain Eastern European films. One careful, oddly lighted take after another—focusing on the very minute, ordinary things—suddenly releases an enormous spookiness, sadness, or longing.” —Alan Williamson

Format: Paperback
ISBN: 978-0-971031-07-4