On Dream Street

$19.95

by Melanie Almeder

On Dream Street may be Melanie Almeder’s first collection of poetry, but what other contemporary poet have we seen held favorably to Emily Dickinson, as Gregory Orr has done? In Almeder’s poems, Orr sees Dickinson’s “compression and intelligence” as if “stretched out over a longer, sinuous line that wraps around itself and searches out significance in observations rendered so intense they transform into vision.”

by Melanie Almeder

On Dream Street may be Melanie Almeder’s first collection of poetry, but what other contemporary poet have we seen held favorably to Emily Dickinson, as Gregory Orr has done? In Almeder’s poems, Orr sees Dickinson’s “compression and intelligence” as if “stretched out over a longer, sinuous line that wraps around itself and searches out significance in observations rendered so intense they transform into vision.”

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WINNER OF THE 2005 TUPELO PRESS EDITORS’ PRIZE

About the Author

Melanie Almeder was raised in Atlanta, Georgia and southern Maine. She received her B.A. in English from the University of Virginia, M.F.A in poetry from the University of Massachusetts, and Ph.D. in contemporary fiction from the University of Florida. She currently teaches creative writing and contemporary literature at Roanoke College and has been widely published in journals.

Advanced Praise:

“Melanie Almeder is in love with things and the names of things: ‘A bag caught in a bare tree./Wires. Stand of evergreen. Snow,’ as well as ‘Sweet Gum, Saw Palmetto, Sumac, White Ash.’ In these poems, dreams are not cloudy wisps of casual reverie, but the specific and vivid landscapes of our real night times, by turns exhilarating and dispiriting. Almeder’s is an almost pantheist world, stuffed to overflowing (‘I loved an entire city as full up as a jar’), a world in which rivers, mountains, and trains are all alive, willful and always wanting more. She gathers ‘all the junk from all/the junkyards in town’ and names it Eden; these poems make the name stick.”—Reginald Shepherd

“Again and again, Melanie Almeder’s lines show themselves urgently alert to the world with a rhythm all their own, one in which “the Atlantic mutters up a waste of dead skeletons” or the poet can announce: “I was a catch in the throat of loneliness./Now, the creak in the trees// when the wind leaks through them. /Now the sweet field in a riot of seed.” (“On Dream Street”). In these magnificent poems, it’s as if Emily Dickinson’s compression and intelligence were stretched out over a longer, sinuous line that wraps around itself and searches out significance in observations rendered so intense they transform into vision.” —Gregory Orr

Poetic justice by Dan Smith of the Blue Ridge Business Journal:

Roanoke College professor (and my good and dear friend) Melanie Almeder has finally blessed all of us with some of that magic poetry of hers that has, before now, gone unpublished in book form. Mel is one of the better natural storytellers around, but her poetry is simply exquisite, even for the bumpkins (like me) among us who prefer prose under normal circumstances.

On Dream Street (Tupelo Press, $19.95) is a compelling, often riveting look at some of the things that interest this perceptive, sometimes funny, always fascinating woman: Florida and Maine, World War I poets, time, lust, buzzards and ducks, noise in the night. With many of the words in this too-slim volume, Mel has accumulated poetry prizes and it’s easy to see why, now that we can. She’s a special talent in a demanding genre.

Format: Paperback
ISBN: 978-1-932195-34-7